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The building

Saved by the city

Built by the wharf workers in 1868, closed in 1979, nearly flats in 1985. A trust of neighbours bought it for one pound and ten years of work.

The Nave from the gallery: lime-washed walls, brick arches and a timber roof, a quartet playing on the low stage.

The chapel

Paid for in pennies

In 1867 the salt, malt and coal men of Saltmarket Street wanted a chapel of their own, nearer than the cathedral and plainer. 1,140 of them signed a subscription book; the lime-washed Nave and its brick arches were finished the next autumn, with a gallery for the families and a vestry onto the river.

The wharves closed one by one after the war, and so did the chapel, in 1979. For seven years it stood empty, then in 1985 a developer asked to turn it into eleven flats. The neighbours, a choir and the folk club that had been meeting in the Vestry formed a trust and bought it from the Methodist circuit for one pound, on the promise to restore it.

The west front under scaffolding during the restoration in the late 1980s, volunteers carrying timber.
The west front in 1988, the third winter of the restoration. Most of the work was done by volunteers on Saturdays.
seats in the Nave, nineteen rows and the gallery
380
nights of music, theatre and talks last year
210
volunteers on the doors, the bar and the archive
160
paid for the building in 1986, and a promise
£1

What we look after

The organ, the trust, the walls

The gilded pipes of the organ above its carved oak case.

The 1871 organ

Two manuals and twenty-two stops, built three years after the chapel. The Friends raised £186,000 to restore it in 2014; you hear it at Sunday at Four every few weeks.

The Yard bar under its brick arch with lights strung overhead.

The trust

Saltmarket Hall Trust is a charity with nine trustees, a staff of eleven and 160 volunteers. Ticket sales, the bar and the weddings pay for three quarters of the year; the Friends and grants pay for the rest.

The Vestry’s lime-washed walls and brick, with two tall arched windows onto the river.

The walls

Lime plaster, not gypsum; brick cleaned by hand; the gallery made safe and the river door made step-free in 2019. Every repair is in the archive, with the name of whoever did it.

In order

From chapel to hall

  1. The chapel opens on Saltmarket Street, paid for by 1,140 subscribers.

  2. The organ is built and played at the first Harvest service.

  3. The last service. The building stands empty for seven years.

  4. The Saltmarket Hall Trust buys it for one pound.

  5. The Nave reopens with a concert by the city’s choirs.

  6. The organ restored, with money raised by the Friends.

  7. The Yard opens and the river door becomes step-free.

The people

Who runs it

Eleven staff, nine trustees and the volunteers you meet on the door. These four are the ones you will write to.

  • Ruth Adeyemi

    Director

    Ran a touring orchestra for twelve years before she came home to Norwich in 2017.

  • Tom Hollis

    Programmer

    Books the concerts and the theatre, and introduces most of them from the stage.

  • Megan Price

    Hire and weddings

    Shows you round on a Tuesday and is there on the day, from the first chair to the last taxi.

  • Sam Perera

    Technical manager

    Lights, sound, the stage and the organ’s moods. Came as a volunteer in 2019 and stayed.

Keep the lights on

Friends pay £40 a year and get £3 off every ticket, first choice of seats and free Vestry talks. 1,900 people are Friends now; the organ was their idea.

“Every Friend is a brick. We need about two thousand of them to keep the roof up and the tickets under twenty pounds.”

Anna LindChair of the Saltmarket Hall Trust